The term "rhymes à la mode" (French for "rhymes in fashion") emerged in the late 19th century to describe a distinctive trend within Victorian poetry. It wasn't a formally organized movement, but rather a recognizable style characterized by its playful experimentation with rhyme schemes, subject matter, and often, a deliberately ornate and humorous tone.
While the Victorian era was known for its serious and often morally didactic poetry, "rhymes à la mode" represented a reaction against some of these conventions. It embraced lighter themes, a more conversational style, and a conscious effort to appear fashionable and modern, reflecting the rapid social and technological changes of the period.
Several defining characteristics distinguished "rhymes à la mode":
Several poets contributed to the "rhymes à la mode" trend. Notable figures include:
The rise of "rhymes à la mode" can be linked to several factors:
Although "rhymes à la mode" faded in prominence, its influence can still be detected in later poetry. Its emphasis on accessible language, playful experimentation, and engagement with contemporary themes resonated with subsequent generations of poets. The trend also prompted a broader shift within Victorian poetry towards greater experimentation and a willingness to challenge traditional conventions.
“Rhymes à la mode” represents a fascinating and often overlooked chapter in the history of Victorian verse. It highlights the dynamic interplay between tradition and innovation, and the ways in which poets responded to the challenges and opportunities of their time. The movement’s legacy continues to inspire poets to embrace experimentation and find fresh voices within the realm of verse.